The Art of the True–False: Konstantinos Simonides and the Making of Philology seeks to re-evaluate one of the most controversial and fascinating figures of nineteenth-century scholarship. Philologist, forger, and self-styled discoverer of lost manuscripts, Konstantinos Simonides (1820–1890) embodied the tensions of his time: between erudition and deceit, Hellenism and modernity, archaeology and imagination.

Through a series of contributions by philologists from Italy and Greece, the symposium will explore Simonides’ ambiguous legacy — from the construction of his European myth to his paradoxical dialogue with the ideals of modern philology — and will address the persistent question of what separates the true from the false in the making of textual history.